![]() I personally have found that it's sometimes useful to practice certain stuff with my eyes closed just to remove a layer of cognitive input so that I can focus on thinking about what's happening from a theory perspective. or hell, when I'm at a gig and someone wants to start a conversation while I'm trying to play and I have to split my attention to keep going.Īlso, for techniques like stride, you obviously have to get used to not staring at your hands because otherwise you'd never be able to play hands together or you might just get whiplash trying to follow. I'll sometimes do technical exercises that I'm already fairly proficient at with my eyes closed or averted just to be used to the way it feels without even my peripheral sight because there are times when reading that I really can't look at my hands. But isn't weaning yourself off of the need to stare at your hands very helpful for helping your focus on things like the music in front of you? Do you think it does no service? I understand your trepidation because if you try to learn with you eyes closed for the sake of a better feel, you're probably going to stunt progress by practicing more mistakes. You may be impressed with yourself if you sit in the dark playing the piano, but the time could be better spent really digging into practice. My point is that there are many many things one must think about while practicing the piano. I could probably keep going for another 30+ minutes on this list. Singing melody lines in your head as you play.Slamming the pedal to the floor encourages excess tension in your leg and contributes to premature wear and tear on parts. Physically pressing the pedal only as much as you need to lift the dampers.Being sure not to over-pedal or let anything get muddy or unclear.Notes should be connected, but still clean. ![]() Paying attention to just how much legato you're playing. ![]() Analyzing fingering choices before, during, and after you play.Practicing transitions between sections.Acknowledging (and marking for practice) areas of hesitation.Looking for scales or chords that make sense, so you can make educated guesses about what's coming next (if sight reading) or help you stay within the context of a piece.Scanning for patterns in the music so you don't have to rethink whole phrases/sections.Making sure your posture doesn't deteriorate as you practice.Watching to make sure you don't have your pinky extending straight out.Using gravity and the weight of your hand/arm to drop into phrases and give yourself a moment to relax (when possible).Being aware of any extra tension in your body.Playing the correct articulations and dynamics.See reddit's content policy for more examples of unwelcome content. commenting on someone's appearance), and the like, are not welcome and will be removed. Comments that contain personal attacks, hate speech, trolling, unnecessarily derogatory or inflammatory remarks or inappropriate remarks (e.g. If you're unsure if your post will be considered spam, please contact the moderators before posting.īe nice to each other. Spam includes posting too frequently, posting mainly links to your blog / Youtube channel, low-content blog posts, etc. ![]() No spam, advertising, low-content blog posts, etc. No generic piano music videos / playlists. Very basic theory/song/other tutorials are better suited to /r/learnmusic. The amount of Synthesia "tutorials" or beginner song tutorials we get is too much and would overtake the subreddit if we allowed them. No basic tutorials or Synthesia "tutorials". Please provide as much information as possible to foster good discussion. Pictures lacking context or details are subject to removal. Low-effort and meme image posts are better suited to /r/classicalmemes, /r/pianomemes, or /r/musicpics. No low-effort images, memes, jokes, or context-less images. If the FAQ doesn't answer your question, you can ask your question as a comment in the 'No Stupid Questions' post.
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